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 organic colorgrown cotton yarn (new lower pricing)

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for a positive experience with natural fibers

Organic Cotton Yarn

Over two thousand years ago, the Mochica culture developed an extraordinary palette of natural cotton fiber colors, ranging from white, beige, brown, and reddish brown to chocolate and mauve. The colored cotton was forbidden, much as it is regulated here in the US, but small villages kept the colored strains alive and growing through the past several hundred years. Today Indian descendants of ancient Peruvian cultures still harvest, gin and spin by hand the natural colored cottons of Peru. 

The yarn I sell is organically grown cotton. The cotton was originally cultured in this country by Sally Fox. You can visit her web site at: Vreseis Ltd. She has more historical information and products available.

The cotton I have is not from Vreseis unless it is "Fox Fibre", but it is organically grown in Texas and the mill was in South Carolina. It is all certified organic and not treated in any way. The color looks fairly pale on the cones. The Conshohocken Fox Fiber is not from Verseis; it is from another source and one of the original fox fibers, thus much paler. And we have found that "finishing" the yarn in hot water brings out the natural colors.  We have also found that the water used to wash the cotton changes the color of the yarn!  My hard-rusty water give the greens a greyer color, where other water brings out the greens better.

All cotton has natural wax to protect it and these natural waxes are still in these yarns. They may be removed with use and regular washing.  You may choose to use hot water and washing soda with soap or detergent to expedite the process. Once the waxes are removed, the fabric will be absorbent like any other cotton. Sometimes it takes a few washings to get all the natural wax out of the fiber. This yarn can be machine washed and dried on a hot cycle. I recently put the sportweight sized yarn into skeins, tied securely and simmered them for about 20 minutes.  This removes all the waxes and causes any shrinkage to happen...so my sweater gauge will be correct. Boiling can make the yarn harsher to the touch.

Marianne has some information to add from her experiments. Later we decided the boiling was not really that good for the yarn and made if feel harsher instead of the softness we usually get with this yarn.

"Today I boiled my latest 5 towels (left one out so I could see the color changes) for 40 minutes then I added them to a white load on HOT in my washer, adding also 1/2 cup of washing soda with the detergent . . .After they went through the entire cycle and then two more hot rinses, my towels came out much more full of color than the ones I brought last month to the Guild meeting. I promptly ran upstairs to my studio and grabbed up my first batch and tossed them into the washer for the same treatment.    WHAT a change . . .    I am thrilled, just can't believe how vibrant they are now.  Really I do think the final soda wash and hot rinses kept the "raw cotton wax" in suspension and it is now so completely gone that the colors are finally what I hoped for.  ...my towels ....are now SO much deeper (in color).    You can tell I am still having fun with this whole thing.
Later,
Marianne


Organic Cotton Chenille

To finishing chenille I use the washing machine on gentle wash/spin, then use the dryer until it is completely dry.  If it needs pressing, use a damp cloth and steam iron and press.  I restore the drape and soft feel by putting it into the dryer with a damp cloth on AIR dry for a few minutes..

Chenille is best finished on the ends by either hemming or twisting the fringe.  If you don't finish the ends the chenille will slide off the core yarn leaving thin wisps of for fringe. Twisting fringe is easy.  A good rule is 6 twists per one inch of fringe.  A fringe of 6" will have 30 twists. Knot the ends and there you go!  If it doesn't look quite right, untie the knot and re-twist.

Hemp Fibers

Hemp is a cellulose bast fiber and organically grown, and machine wash and dryable.  It is a strong and durable fiber that holds it shape, and does not need blocking after washing.  It is  very easy to care for, with a cool water wash and can be laid flat to dry.  The fiber gets softer and softer the more it is used. They are more absorbent than cotton, resistant to mildew and dyes well.  Hemp is figured for size as linen is 300 yards per pound.  So, the hemp I have for sale is 5 X 300 divided by 2 or 750 ypp.
 

Silk

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       `·..·´«´¨`·.
    Silk       ..·´¨`»`·..·`      `·..·´«´¨`·.    Silk       ..·´¨`»·`·. .·   ``·..·´«´¨`·.    Silk      ..·´¨`»·`·. .·`
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Yarn Count for Silk

I have a terrible time figuring the count of silk as it is different than the measure for cotton.  So...I counted the threads per skein and figured the yardage that way. I'm also looking on other websites to get their suggested setts and yards per pound.

The count used for spun silk is the metric count system, used for cotton, linen and wool. In determining spun silk, 1 gram (g) (1/28 of an oz) is the stable figure. One metre (m) (39 inches) of yarn weighing 1g is 1m count or a #1 yarn. A #10 silk is 10m/g and has 10,000 m/kg. This translates to 4,970 yd/lb.

A pair of numbers identifies the size of plied yarns. A 20/2 spun silk is comprised of two strands (bottom number) of a #20 (top number) yarn. The 20 indicates that each strand is 20 times finer than a #1 silk, which has 497 yd/lb. To calculate the yardage of any spun silk yarn, multiply the yarn size by 497 and divide by the ply number. A 20/2 silk has 4970 yd/lb. The higher the number e.g. 20, 30, 60 the thinner the yarn and greater the yardage.

The silk I carry is from India.  They are of excellent quality and from reputable companies and cooperatives.

Calculating how much you need:

Once you have decided on a project and what yarn you want to use, look at the sett chart to get an idea of the sett.

The arithmetic for figuring a project is simple: WIDTH x EPI x LENGTH

Example:

Once you have decided on a project and what yarn you want to use, look at the sett chart to get an idea of the sett.

The arithmetic for figuring a project is simple: WIDTH x EPI x LENGTH

Example:

2 scarves  — 8" wide x 72" long, or one shawl 16" X72", using 20/2 silk in twill weave.

8" x 28 EPI = 224 warp end

Scarf length:

72"+ 72" = 144" = 4yd + 1/2yd loom waste.

Each of the 224 warp ends must be 4.5yd long

224 x 4.5yd = 1008yd

This is what is required for the warp only. The weft requires only slightly less yarn. Two skeins of 20/2 will weave two scarves.

DK silk plain weave

8 x 12 = 96

96 x 4.5 = 432

It will require 2 skeins for 1 scarves. ( 6 skeins for a larger shawl.) Lace knitting 1 skein for 1 scarf.

 

The approximate ypp of some common NM sizes:
20/2 = ~5,000 (20 times 500 divided by 2)
30/2 = ~7,500
40/2 = ~10,000
50/2 = ~12,500
60/2 = ~15,000
100/2 = ~20,000
120/2 = ~30,000
 

Common Yarns Sett Chart
Provided by Schacht Spindle Company

YARN SIZE

yd/lb

tabby

twill

Cotton

20/2 cotton
8,400
24-30
32-36
10/2 cotton
4,200
24-28
30
8/2 cotton
3,360
15-22
22-30
8/4 cotton
1,680
12-15
20
5/2 cotton
2,100
15-18
20
4/2 cotton
1,680
12
15-16
3/2 cotton
1,260
10-12
15
Linen
20/2 linen
3,000
20-24
30
12/1 linen
3,600
22-25
30-32
4/1 linen
1,400
12-15
15-18

Wool

20/2 worsted wool
5,600
20-24
28
12/3 worsted wool
2,160
15-18
20
6.5/1 wool
3,200
18-20
22-25
12/2 wool
3,000
18-20
22-25
7/2 wool
1,640
12-15
15-18
6.5/2 wool
1,600
10-12
15-18
1.3/1 wool
600
8-12
12-15
2.2/2 wool
550
8-10
10-12

Warp Sett Reed Substitution Chart
(Ends Per Inch)
Provided by Schacht Spindle Company  

"A mind that is stretched to a new idea never returns to its original dimension."
--Oliver Wendell Holmes

 

Order of Sley in Reed

Reed Size in Dents per Inch

5

6

8

10

12

15

18

20

0-0-1

2

2

3

3

4

5

6

7

0-1

2 1/2

3

4

5

6

7 1/2

9

10

0-1-1

3

4

5

7

8

10

12

13

0-1-1-1

4

4 1/2

6

7 1/2

9

11 1/2

13 1/2

15

1

5

6

8

10

12

15

18

20

1-1-1-2

6

7 1/2

10

12 1/2

15

19

22 1/2

25

1-1-2

7

8

11

13

16

20

24

27

1-2

7 1/2

9

12

15

18

22 1/2

27

30

1-2-2

8

10

13

17

20

25

30

33

1-2-2-2

9

10 1/2

14

17 1/2

21

26

31 1/2

35

2

10

12

16

20

24

30

36

40

2-2-2-3

11

13 1/2

18

22 1/2

27

34

40 1/2

45

2-2-3

12

14

19

23

28

35

42

47

2-3

12 1/2

15

20

25

30

37 1/2

45

50

2-3-3

13

16

21

27

32

40

48

53

2-3-3-3

14

16 1/2

22

27 1/2

33

41

49 1/2

55

3

15

18

24

30

36

45

54

60

3-3-3-4

16

19 1/2

26

32 1/2

39

49

58 1/2

65

3-3-4

17

20

27

33

40

50

60

67

3-4

17 1/2

21

28

35

42

52 1/2

63

70

3-4-4

18

22

29

37

44

55

66

73

4

20

24

32

40

48

60

72

80

4-4-5

22

26

35

43

52

65

78

87

4-5-5

23

28

37

47

56

70

84

93

5

25

30

40

50

60

75

90

100


 

Yarn Weights

Lace: gauge varies greatly, depending on how tight or open a fabric you want. Needles can range from #00000 to #11. Makes a wide variety of light and airy garments.
 

 

Fingering: yarn knits at 6.75 – 8 stitches per 1" on #1 to #3 needles. Includes sock yarns and baby yarns.
 

 

Sport: yarn knits at 5.75 – 6.5 stitches per 1" on #3 to #5 needles. Knits into a tight fabric with light feel.
 

 

DK: yarn knits at 5.25 - 6 stitches per 1" on #5 to #7 needles. A versatile weight, also called double knitting.
 

 

Worsted: yarn knits at 4.5 - 5 stitches per 1" on #6 to #9 needles. Perfect for winter sweaters without the bulk.
Heavy Worsted: yarn knits at 4 - 4.5 stitches per 1" on #8 to #10 needles. Great for coats, jackets and thick sweaters.
 

 

Bulky: yarn knits at 3 - 3.75 stitches per 1" on #9 to #11 needles. Use for quick hats, scarves and outerwear.
 

 

Super Bulky: yarn knits at 1.5 - 2.75 stitches per 1" on #11 and larger needles. Knits up quickly for large items like afghans, blankets and quick sweaters.


Knit Picks

Yarn Gauge & Needle Size
 

YARN

Yards per Pound

Needle Size-US

Suggested Gauge

Alpaca Lace
4960
# 00-2
8 st/in
Alpine
800
# 7-9
5 st/in
Andee
1000
# 7-9
5 st/in
Aztec Boucle
1090
# 2-5
6.25 st/in
Bamboo Cotton
990
# 7-9
5 st/in
Carrera
2000
# 3-6
8 st/in
Gaia Sport
1490
# 2-5
6.25 st/in
Gaia Worsted
1120
# 6-8
5 st/in
Inca Cotton
640
# 8-9
4 st/in
Island Cotton
740
# 10
4 st/in
Jaggerspun Greenline
1490
# 4-6
6 st/in
Jaggerspun Zephyr 2/18
5040
# 1-2
8 st/in
Jaggerspun Zephyr 4/8
1120
# 7-9
5 st/in
Kona Bulky
430
# 10-11
3 st/in
Kona Fingering
2240
# 2-4
7 st/in
Kona Sport
1540
# 2-5
6.25 st/in
Kona Worsted
1120
# 7-9
5 st/in
Licorice Twist
1120
# 7-9
5 st/in
Mikado
280
# 10.5
3.5 st/in
Montana
1120
# 7-9
5 st/in
Monte Cristo
1100
# 6-8
5 st/in
Nantucket
780
# 10-11
3.5 st/in
Panda Cotton
1655
# 1-2
6 - 7 st/in
Panda Silk
1855
# 1-2
7 - 8 st/in
Panda Superwash
1655
# 1-2
7 - 8 st/in
Peruvian Tweed
1200
# 4-6
5.5 st/in
Pony 2 ply
3500
# 00-2
8 st/in
Prime Alpaca
1300
# 3-5
6 st/in
Queen Anne*s Lace
1650
# 4-6
6 st/in
Shahrazade
1020
# 7-9
5 st/in
Toaga
980
# 4-6
5.75 st/in
Twirly
1000
# 6-8
5 st/in
Zohar
2240
# 2-4
7 st/in

art and craft

An exhibit a The Mint Museum of Craft and Design (Charlotte, NC)
The Nature of Craft and the Penland Experience. This was copied from the display: 

"Craft is the product of creativity enhanced by skill. 

"Skill celebrates the craftsperson's mastery of material and examines the
role of oral traditions in sharing expertise. 

"Source studies environment, the body, spirituality, and play as
foundations of creativity in craft. 

"Expression demonstrates that craft communicates ideas, transcending the
traditional boundaries of gender, age, ethnicity, and religion. 

"All handmade objects embody these elements on some form." 

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   Links       ..·´¨`»·`·. .·`  
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     Updated September, 2010